This is part of a series about why Hortense broke the law. When we last left off Hortense’s older son, Napoleon Louis, was called to speak on behalf of youth rising up against Austrian rule over Italy in 1831.
Napoleon Louis painted by Hortense.
Napoleon’s youngest brother, Jerome, sent a M. Stoelting to Hortense’s 2 sons.
Hortense writes.
[in a letter written by M. Stoelting, he praised] their moderation and their conduct.
MADAME,
The circumstances, the details of which would be useless and superfluous to describe, made me come here, charged with a mission from King Jerome for the princes, his nephews.
I had to persuade myself that the orders I had received were unenforceable, that the princes could not back down, and that the very idea repelled them, because of the generous role that they believed they should fulfill.
Their role is really that of mediators, conciliators, conservators of religion and good order. They hope for all of these things to come about from their efforts.
Your Majesty will feel that my efforts must have ended promptly where before I had only serious considerations in opposition to feeling and doubts about conviction.
I was instructed to go further, but the desire to serve the princes, and the general pacification which they envision, determined me to set out again for Rome after a few hours of rest, and to bring to the Holy Father the respectful representations which they believe they should submit to him.
At the same time, I will fulfill the duty to calm down as much as possible the family members who stay in the capital. I did not think it necessary at the same time to neglect this little account, by assuring Your Majesty, King Louis and Princess Charlotte [Napoleon Louis’ wife], that I found the princes in very good health and in the most worthy countenance befitting their name.
I am, with the deepest respect, Madame, Your Majesty, the most humble, very obedient and very devoted servant,
STOELTING.
Terni, February 25, 1831, at 4 o'clock in the evening.
Mr. Stoelting agreed to be the bearer of this dispatch, undoubtedly not realizing, that we have -
To be continued.
…
Cela fait partie d'une série sur les raisons pour lesquelles Hortense a enfreint la loi. La dernière fois que nous avons laissé le fils aîné de Hortense, Napoléon Louis, a été appelé à parler au nom des jeunes qui se sont élevés contre la domination autrichienne sur l'Italie en 1831.
Le plus jeune frère de Napoléon, Jérôme, a envoyé un M. Stoelting aux 2 fils de Hortense.
Hortense écrit.
Let’s look at the transits happening while Hortense’s younger son, Louis Napoleon, is about to lose his dear brother. Against all odds, somehow this young man managed to secure the throne of France many years after this sad time.
What jumps out here is that Louis Napoleon has revolutionary Uranus at his midheaven space of reputation. This is at the beginning of transformative and powerful Scorpio, ruled by Pluto. We also see Saturn in this house which can signal dogged determination and the founding of institutions. Paris is as beautiful as it is thanks to the transformative building projects done under Napoleon III. This would be Pluto and Saturn in the 10th house of career at its highest pitch.
Like in Napoleon’s chart, we see here Pluto in the 2nd house associated with Taurus, Venus and money. Both Napoleon and his nephew, Louis Napoleon experienced vast reversals in their financial affairs. Both were subject to downfalls. The Sun (fame) is passing through this area along with disruptive Uranus. It’s also worth mentioning Pluto (death) is transiting a sign of Mars (violence), Aries.
By summer 1832, Napoleon’s cousin, Napoleon François, in addition to his brother will be dead and Louis Napoleon will be the revolutionary hope and the heir of the Bonaparte dynasty. The importance of the 2nd house in this chart seems underscored by the fact that Louis Napoleon’s Sun and Mars are in Taurus (Venus), the constellation associated with the 2nd house. These two planets are nearly in Aries also so that gives them an even more martial coloring.
Not only that but we see Uranus ruled Aquarius connected with the second house. This man is a revolutionary with strong Venusian overtones, once again pointing to his work regarding the beautification of Paris amongst other good works.
Louis Napoleon painted by Hortense.
Voyons les transits qui se produisent pendant que le fils cadet de Hortense, Louis Napoléon, est sur le point de perdre son cher frère. Contre toute attente, ce jeune homme a réussi à obtenir le trône de France de nombreuses années après cette triste période. Ce qui saute aux yeux, c'est que Louis Napoléon a révolutionnaire Uranus dans son espace de réputation du milieu du ciel. C'est au début du Scorpion transformateur et puissant, dirigé par Pluton. Nous voyons également Saturne dans cette maison qui peut signaler une détermination obstinée et la fondation d'institutions. Paris est aussi belle que grâce aux projets de construction transformateurs réalisés sous Napoléon III. Ce serait Pluton et Saturne dans la 10e maison de carrière à son plus haut niveau. Comme dans la carte de Napoléon, nous voyons ici Pluton dans la 2ème maison associée au Taureau, à Vénus et à l'argent. Napoléon et son neveu, Louis Napoléon, ont connu de grands revers dans leurs affaires financières. Les deux ont subi des chutes. Le Soleil (renommée) traverse cette zone avec Uranus perturbateur. Il convient également de mentionner que Pluton (mort) transite par un signe de Mars (violence), Bélier. À l’été 1832, le cousin de Napoléon, Napoléon François, en plus de son frère, sera mort et Louis Napoléon sera l’espoir révolutionnaire et l’héritier de la dynastie Bonaparte. L’importance de la 2e maison dans cette carte semble être soulignée par le fait que le Soleil et Mars de Louis Napoléon sont en Taureau (Vénus), la constellation associée à la 2e maison. Ces deux planètes sont presque aussi en Bélier, ce qui leur donne une coloration encore plus martiale. Non seulement cela, mais nous voyons Uranus régné sur le Verseau connecté à la deuxième maison. Cet homme est un révolutionnaire aux fortes nuances vénusiennes, soulignant une fois de plus son travail concernant l'embellissement de Paris entre autres bonnes œuvres.
